Phil is one of the most experienced editors of classical music in the world. This is such a crucial part of any project - one which is sometimes overlooked - which is why it's so important to emphasise the experience Phil can offer.
Most of the editing Phil undertakes is of his own projects but he can also work from someone else's score - whether it be fully 'plotted' or without any editing instructions (see examples). One can be assured that the absolute best musical outcome will arise from Phil's editing decisions (i.e. which takes to use).
Photographs provided courtesy of Ugo Pont @Orchestre National de Lille